MILONGA 5 HOURS - by TANGO SUDAKA - AYUN GOTAN SITE
FOR JAPAN! - 4 tangos . MILONGA 4 HOURS - by TANGO SUDAKA - AYUN GOTAN SITE
MILONGA 5 HOURS - by TANGO SUDAKA - AYUN GOTAN SITE
https://gotansite.wistia.com/medias/dj6h66p2ne ENJOY 3TANGOS 3 MILONGAS 3 WALTZ By Tango Sudaka
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by TANGO SUDAKA
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By Tango Sudaka
One of the most influential and famous dances of modern history, tango originated in the streets of Buenos Aires, Argentina, and Montevideo, Uruguay in the late 19th century. So important is this passionate Argentina dance, in 2009, the tango was added to the UNESCO Intangible Cultural Heritage Lists.To get under the skin of this passiona
One of the most influential and famous dances of modern history, tango originated in the streets of Buenos Aires, Argentina, and Montevideo, Uruguay in the late 19th century. So important is this passionate Argentina dance, in 2009, the tango was added to the UNESCO Intangible Cultural Heritage Lists.To get under the skin of this passionate national art form, we spoke to Argentinian Travel Director Nicolas, himself a tango dancer and this week’s Insightful Destination Expert.“When you step into a tango salon you see so many beautiful things in just one minute,” he tells us. “Visitors have told me it is like a Fellini movie, with his dreamy, fantasy world. It’s quite amazing.”
THE TANGO EMBRACE IS NOT ONLY WITH THE SOUL
It is always special to think of tango (in this case the dance of tango, dancing it) as the meeting of two souls that (despite a possible prior lack of knowledge) manage to meet and unite in the decoding of a group of signals that determine movements , but also (and especially) it is poetic to a
THE TANGO EMBRACE IS NOT ONLY WITH THE SOUL
It is always special to think of tango (in this case the dance of tango, dancing it) as the meeting of two souls that (despite a possible prior lack of knowledge) manage to meet and unite in the decoding of a group of signals that determine movements , but also (and especially) it is poetic to accept or assimilate that this encounter or decoding obeys a kind of timeless and democratic magic that happens between two people or, better to put it this way, between two wills.
So much so that in this space and through several articles we have discussed these topics, little by little and without a desire to discuss philosophically but rather artistic, cultural, social and spiritual observation.
And it is not possible to talk about dancing tango without referring (sometimes tangentially, sometimes directly) to that kind of metaphysical clash, that almost inexplicable abstraction that determines the game between two people, the connection and, finally, the encounter. , always made official in the hug, the famous tango hug, the bodies united between strangers, not for a game of sensual but artistic seduction: the dance, the dance.
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